Ojogbon Globalization

TITLE : STRUGGLING FOR SURVIVAL. (36 by 36 inches) by Gbolade Omidiran. This painting's medium is oil paints on black velvet rendered with various sizes of palette knives and not a single brush stroke. It was made in 2015. An impasto of striking colors that involves a lot of painstaking work. DESCRIPTION: All over the world, people strive and struggle to survive. Whether in the most remote forest of Ijero Ekiti or the busiest streets of Lagos or New York, we all have one thing in common 'Struggling for Survival'. This painting though abstract in expression denotes the struggles in the rural African market to make a living. A variety of African indigenous foods and goods are displayed with the traders' frantic efforts to make sales, aimed at achieving survival. I ssue 9 of Ìrìnkèrindò: a Journal of African Migration  is now published.   Contents Editorial Mixed, Perilous and Other Migrations: Do African Lives Matter?   Mojúbàolú Olufúnké Okome ...

Gbolade Omidiran's "No One in Sight" My overworked and underpaid self is happy to announce that Issue 9 of Ìrìnkèrindò: a Journal of African Migration is in progress, a testament to tenacity and very much a labor of love, since I'm doing most of the work, while also teaching etc, etc. You can access three articles now and will be able to access the editorial and one more article by December 15. These articles below are already online: African Migrants in Post-Soviet Moscow: Adaptation and Integration in a Time of Radical Socio-Political Transformations  by Dmitri M. Bondarenko of The Institute for African Studies,  Russian Academy of Sciences Here's the abstract: The changes since the breakup of the USSR have impacted African migrants’ social composition, as well as their strategies and forms of adaptation and integration in the capital city of Moscow. In this study, we discuss the factors influencing the choices of African migrants, related to t...